The night of reparto

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On July 27, 2020, Movistar+ announced that they had begun shooting in Madrid, together with Zeta Studios, the filming of a new comedy series, entitled Reyes de la noche, set in the radio world and inspired by the rivalry between radio journalists José Ramón de la Morena and José María García. [2] The series was created and written by Adolfo Valor and Cristóbal Garrido;[3] Valor, in turn, directed the project together with Carlos Therón. 4] The series stars Javier Gutiérrez, Miki Esparbé and Itsaso Arana. 5]. Filming of the series lasted eight weeks, concluding on September 23, 2020.[6] On August 31, 2020, while the series was being filmed, the series was released on August 31, 2020.[7] On August 31, 2020.
On August 31, 2020, while the series was still filming, the first images of the series were released.[7] On April 14, 2021, Movistar+ released the trailer for the series and announced that the series would premiere with a weekly double episode on May 14.[8]

the best night of your life

Tatyana Arntgolts, Elizaveta Nilova, Denis Nikiforov, Evgeniy Ganelin, Olesya Fattakhova, Ekaterina Ol’kina, Mariya Pirogova, Igor Savochkin, Mikhail Evlanov, Polina Raykina, Natalia Lyudskova, Anatoliy Pashinin, Evgenia Burdikhina, Elena Kulikova, Yuliya Kelchevskaya
On October 8, 1941, Stalin ordered the creation of an all-female aviation unit, to be known as the 46th «Taman» Night Bombardment Guards Regiment. Their job was to fly over German troops and carry out harassing and precision bombing raids on their convoys, fortifications, machinery and units.

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Here is a list of the actors in the movie In The Heat Of The Night and the name of the character they play if available (left column «Actors In The Heat Of The Night»), as well as the main technical positions they have been involved in such as director, screenwriter and other departments (right column).
In a small Mississippi town, policeman Sam Wood discovers the body of an industrialist. Shortly thereafter, he arrests a suspect, a black man, at the station. After an interrogation by Police Chief Bill Gillespie, it is discovered that he is a Philadelphia policeman, Inspector Virgil Tibbs. Together they decide to investigate the murder.

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By setting the action in the past I try to immerse the viewer in the realm of pure fiction to finally lead him to the conclusion that, when we enter the realm of feelings, we can recognize ourselves as much in a pirate of the XVIII century as in a cybernaut of the XXI century.
The past is always narrated by someone, and always to Elisa and Jorge. They live in the present and listen to the past. Hence the importance of the word, of the dialogues. The image makes another reading of each of the situations, so that the contrast between what we see and what we hear, their conflict, becomes the key to the film. The characters live the story while the spectator observes it from a distance, reaching his own conclusions. (Salvador García Ruiz).
«In this story the places and characters are imaginary. Some are not found on maps and the others do not live or have never lived anywhere in the world. And I feel it, because I have come to love them as if they were real». (Natalia Ginzburg)